It’s all about these songs . . .
Outside of being temporarily distracted by an 8-year career in retail sales management, my life’s entire focus has been on creating and performing original music.
Brief background: Natural inclinations drew me toward the drums before the age of 2. In 5th grade I formed my first rock band, while also playing in every school band from elementary through high school which featured drums of any kind; orchestra, marching, jazz, musicals, etc. My various bands over the years have been performing publicly since I was 13, and have recorded and released several full-length albums and EPs over the last 20 years, including many of my original songs.
In 2005, I built a makeshift recording studio in my basement in an attempt to record my original music. I was able to record several demos of my songs, and subsequently discovered a passion for producing and audio engineering over the course of a few years. I decided to leave my cushy and safe retail management job, move to Arizona and attend The Conservatory of Recording Arts & Sciences to truly learn the craft of audio engineering and music production. After graduating from CRAS and returning home to Detroit, I set up my studio and began my career as a freelance producer/engineer.
In Fall 2011, when browsing in the Music section of a bookstore, I discovered a book called Zen and the Art of Mixing; the author — a major-label record producer and mixing engineer — uses the psuedonym “Mixerman.” Upon reading the first few pages of the book, I felt as though it was written specifically for me. Regarding music production and studio clientele, not only did it reinforce and validate several beliefs of mine which I had previously doubted, it answered my burning questions about the mixing process and how to achieve the best possible production. I affectionately refer to the book for guidance and to refresh my mind when mixing for myself or my clients — I even answer some of my clients’ questions by going over to the shelf, grabbing the book and reading a passage!
The overall message of the book: it’s all about the songs.
Recently, Mixerman posted on his Facebook page, saying he had time to mix a project, and that someone should definitely contact him. For the past 7 months I’ve been writing, recording, and making rough mixes of the songs that will comprise my first album as a solo artist. (Click these links to read about the earlier parts of this journey: Part I, Part II.) Since I happen to have an album to mix, I sent him a message, not knowing what to expect. We began corresponding online and then via text the next day, resulting in his request for two rough mixes of my songs. I sent him a medium-tempo softer indie/pop tune, and a flowing track which builds into driving rock. Forty minutes later, while in a recording session with a client, I received a text from him:
“I love them. The rocking track is fucking awesome. Very cool. Also, it’s obviously well recorded. So, I’m certainly interested in talking to you about mixing the project. Call me when you’re done tonight.”
Upon discussing the scope of the songs to be mixed — and my non-existing budget — Mixerman asked me to send him the roughs of every song to be included on the album. I did so that night and woke up to receive an email from him which included the following:
“Dude. This album is fucking great. I mean, like I love it. You’re a talented motherfucker and on all fronts. I mean, your drum tones are killer. Well done on the recordings on the whole . . .“
I was floored and freaked out; simultaneously elated. Suddenly, I found myself blessed with an amazing opportunity: a major-label mixing engineer is willing to mix my project at an excellent rate — NOW — and assist me in seeing the project through the mastering process and ultimately onto the vinyl I plan to release!! YIPPIE!!
I’m just — gulp — thousands of dollars short of the budget.
Over the past few days, I’ve sought counsel from family and friends, clients and colleagues, asking their feelings on the subject and how I should proceed. The response has been unanimous: have him mix my album, whatever it takes. And, get a Kickstarter.com fund-raising campaign up and running ASAP because . . .
It’s all about the songs.
The lyrics and messages in the songs on this album are those anyone can relate to: dealing with people; loving (and leaving) the city you grew up in; liberation from a cheating lover; acceptance of loss; personal growth; new and rekindled loves; pursuing goals in spite of fear and ridicule; sexy bartenders; enlightenment.
After hosting several private preview sessions in my studio over the past few months (in order to gain critical feedback), listeners have been hard-pressed to choose their least favorite song on my album. One after another, these songs elicit an emotional response. Texts and Facebook messages with remarks such as “I can’t get your songs out of my head,” “When can I hear those songs again?” and “Make sure you let me know when you start your Kickstarter campaign!” have been sent to me with regular consistency since the beginning of the year.
I am pleased to announce that my Kickstarter campaign is finally up and running! Click here to check it out and watch the video!!
I’m incredibly excited for the opportunity to present these songs to everyone in the best possible production. I believe that the messages contained in these songs are important in our current culture, and need to be heard right now. With Mixerman’s help, these songs are going to be delivered at the highest possible quality.
Thank you for reading this. I appreciate you.
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